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Sylvester Stallone stars in Paramount’s charming Tulsa King | Television/Streaming

There is certainly a certain appeal of the red state for a man like Stallone who mocks the perceived cosmopolitan nature of 21st century life. Dwight is a man not just out of space, but out of time; having spent a quarter of a century in the big house, he’s perplexed by smartphone apps, legal weed and all those fucking pronouns. “I feel like Rip Van Winkle,” he confesses to Bodhi after accidentally getting high in the back of a car.

But these moments of political incorrectness don’t read as rebukes to societal advancements, not in the way the average “Yellowstone” fan might respond to them. Rather, Dwight is confused and lost about his place in the world — about the years he’s sacrificed to a mentor who pays him back through exile or the girl who won’t speak to him again. He is a man alienated by his situation, forced to rebuild himself in a world that no longer shares his values.

It’s Dwight, and it’s also Stallone: ​​TV, it seems, is his Tulsa, and the big-screen legend consciously bristles at his new limits. But the 76-year-old shows no signs of slowing down, and on the small screen he looks, in any case, even bigger than before. From Winter and Sheridan’s pen, “Tulsa King” is equal parts mob drama and Western, with Sly falling somewhere between Chili Palmer and John Wayne’s Ethan Edwards in “The Searchers.”

It’s a fitting space for him, both as an aging action star and a shrunken character actor. The show around him sometimes struggles to keep up – Garrett Hedlund, Dana Delaney and Annabella Sciorra are barely there, despite being prominent in the credits and press materials. But it’s worth sticking around to see what role they’ll play in Sly’s most interesting sunset ride.

The first two episodes screened for review. Tulsa King is coming to Paramount+ on November 13.

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